by Cary GinellThe granddaddy of all live albums, this double-LP set captures the excitement of a Harry Belafonte concert at the height of his popularity. Sampled from two consecutive performances of identical material, Belafonte at Carnegie Hall was an anomaly at a time when only comedy albums were recorded outside of the studio environment. It wasn't the first live album ever made, but it was certainly the first to be a major financial and artistic success. It stayed on the best-selling album charts for over three years and remained in print until RCA discontinued pressing LPs. From the opening trumpet fanfare and brief orchestral overture to the epic 12-minute version of "Matilda" (which set a standard for audience participation), the album never lets up. It is exciting, poignant, thrilling, intimate, and at times, spontaneously hilarious. Belafonte's mastery in front of an audience was never better displayed than here, a mastery that has resulted in him becoming one of the most popular concert draws in history. Producer Bob Bollard and orchestra leader Bob Corman deftly integrated the 47-piece orchestra into the performance but knew when to lie back to let Belafonte sing, accompanied by a small combo of two guitars, bass, and percussion. The concert is divided in three sections: "Moods of the American Negro," "In the Caribbean," and "Around the World." All the hits are here: "Day O," "Jamaica Farewell," "Mama Look a Boo Boo," and others, plus calypso, folk songs, chain gang songs, spirituals, and songs from other lands, representing a veritable best-of package of his first decade with RCA Victor. For sheer scope and genius of performance, this is the quintessential Belafonte package. [A digitally remastered but truncated single-disc CD reissue of the classic 1959 performance by Harry Belafonte was issued upon its 30th anniversary in 1989. Inexplicably, all of Belafonte's between-song patter and four songs were eliminated, no doubt in an attempt to fit the whole concert on one disc. The editing was done with a machete, and the concert loses all of its spontaneity and pacing. For those who are familiar with the original, magnificent double-LP set, the edits will make you cringe. For the record, the excised songs are "Take My Mother Home," "Man Piaba," "All My Trials," and "Merci Bon Dieu." Save your turntables and get the records.]